3D Rendering & Animation Services

It depends on three things: how complex the asset is, whether you need stills or animation, and how many variants you want. A single photoreal product render is a very different project than a thirty-second animated commercial or a library of fifty real-time assets. We give a fixed estimate after seeing your product files and a short brief, and if photography would honestly be cheaper for what you need, we’ll tell you that instead of selling you 3D.

CAD files, product samples, or even good reference photos all work as starting points. If the product doesn’t exist yet, we can model from drawings and specs, which is one of the cases where 3D is the only option.

Whatever the medium needs: high-resolution stills, animation files, or real-time-ready assets for Unity, VR, and AR. Because we build for real-time too, a marketing render can later become a configurator or training asset without starting over.

Four lanes, each with shipped work behind it:

Product rendering and animation. Photoreal renders and animation for marketing, like the Myaderm healthcare commercial we produced with 3D animation and editing. Product renders are the lane most clients come for: variants, impossible camera moves, and packaging shots without a reshoot.

Character work. 3D character support for larger digital products, most visibly inside McFarlane Toys’ Collectors Universe. To be precise about that credit: the build itself was a Unity digital-collectibles platform, and our 3D character work was one component of it.

VR and digital-twin assets. Accurate 3D models of real industrial equipment for VR training, where the asset has to be correct, not just convincing, because people learn hazardous procedures on it.

Game assets. Stylized art and real-time-ready models, including asset work for the game Carnival of Truth. Real-time constraints (polygon budgets, texture atlases, LODs) are a different craft than render-farm work, and we do both.

We use generative tools where they genuinely speed things up (concepting, texture exploration, motion tests) and hand-model where fidelity matters, which is most of the time in product and training work. Our creative and generative AI production practice covers the full pipeline, and for moving pictures built around that pipeline, see AI video production. The split we hold to: AI compresses production, it doesn’t remove the craft.

Five steps, and you see the work at each one. First, inputs: CAD files, product samples, drawings, or reference photography, whatever exists. Second, modeling: we build the asset to the tolerance the job needs, which is different for a hero marketing render than for a real-time training asset. Third, materials and lighting: this is where photorealism actually lives, and where we spend disproportionate time on products with glass, metal, liquid, or skin. Fourth, review rounds against the shot list you approved, so feedback lands on specific frames instead of vibes. Fifth, delivery in the formats your channels need.

For stills: high-resolution product renders sized for web, retail, print, and marketplace requirements, including Amazon’s white-background specs. For motion: animation delivered as finished video, or as passes your editor can work with. For real-time: optimized glTF, FBX, or engine-ready assets with polygon budgets, LODs, and texture atlases appropriate to the target platform, whether that’s a web configurator, Unity, or a VR headset. If you already have a pipeline, we match its conventions rather than making you adapt to ours.